» Full Dark, No Stars - Stephen King's new novella questions mankind's ability to trust others.
[02.21.2011 by Bridget Doyle]


 » The Top 30 Albums of 2010 - Fashionably, fabulously late, our favorite music (and believe me, there was a LOT) of 2010, the year that some have called the best year for music ever. And only some of those fools work here. Plenty of usual suspects, lots of ties and a few surprises that I won't spoil, including our unexpected #1.
[12.24.2010 by The LAS Staff]


 » Live: Surfer Blood/The Drums at Lincoln Hall, Chicago, IL - Remember when Weezer used to put together records that you could sing along to and rock out to? That's what Surfer Blood's show was like!
[11.04.2010 by Cory Tendering]

Music Reviews

Screaming Females - Castle Talk
»Screaming Females
Castle Talk
Don Giovanni
Trent Reznor & Atticus Ross - The Social Network [Original Soundtrack]
»Trent Reznor & Atticus Ross
The Social Network [Original Soundtrack]
The Null Corporation
Deerhunter - Halcyon Digest
Halcyon Digest
No Age - Everything in Between
»No Age
Everything in Between
Sub Pop
Robyn - Body Talk Pt. 1/ Body Talk Pt. 2
Body Talk Pt. 1/ Body Talk Pt. 2
The Walkmen - Lisbon
»The Walkmen
Fat Possum
The Dissolving Room
Flat Records

Rating: NR/10 ?

October 1, 2004
Shearwater want to take you to the sun starved back roads of some foreign southern town you've never been to. The land is littered with endless train tracks, brown crisp fields, and rickety off-trail diners. Their stories of lost love and ragged depression are intoxicating and vivid, with a keen jones for old time literature.

Where Shearwater wants to take you, though, is perhaps no different of a place than where Will Oldham and his alias entourage (Palace, Bonnie 'Prince' Billie etc.) has gone before. Will Sheff and Jonathan Meiburg, the two headed master mind of Shearwater, don't necessarily scream originality, but they more than compensate at heart on sleeve aesthetics.

Folk music is a tough genre to approach from alien grounds; many always seem to fall right next to or on top of the last innovator. In regards to innovators (and perhaps Shearwater's greatest influence), Will Oldham is a freak- both in attitude and nature. Not allot of people can walk around with a high chin after singing about falling in love with one's sister. But, more importantly, Will Oldham is a story teller. He forms characters, odd situations (very, very odd), and cultivates it all into a sordid and beautiful valley that collects unease and grows it into a uniquely awkward and unmatched product, a great album. This is not to say that Shearwater don't join the movement in spades- they do. But they are joining a movement, and not necessarily creating one with The Dissolving Room.

The music of The Dissolving Room is sparse and delicate, the pianos creak, the chairs squeak, the hearts leak, and the pace is slow and humble. This an album for the night watchers, and the sleepless field worker hungry for his southern bell, the drunkard on the abandoned train station bench, and the oh so lonely.

Reviewed by Trevor Naud
Trevor Naud is a former staff writer for LAS and a former sex symbol and guitarist of the band Red Shirt Brigade. He currently plays music with South South Million and PAS/CAL.

See other reviews by Trevor Naud



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