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 » Full Dark, No Stars - Stephen King's new novella questions mankind's ability to trust others.
[02.21.2011 by Bridget Doyle]

MUSIC

 » The Top 30 Albums of 2010 - Fashionably, fabulously late, our favorite music (and believe me, there was a LOT) of 2010, the year that some have called the best year for music ever. And only some of those fools work here. Plenty of usual suspects, lots of ties and a few surprises that I won't spoil, including our unexpected #1.
[12.24.2010 by The LAS Staff]

MUSIC

 » Live: Surfer Blood/The Drums at Lincoln Hall, Chicago, IL - Remember when Weezer used to put together records that you could sing along to and rock out to? That's what Surfer Blood's show was like!
[11.04.2010 by Cory Tendering]

Music Reviews

Screaming Females - Castle Talk
»Screaming Females
Castle Talk
Don Giovanni
Trent Reznor & Atticus Ross - The Social Network [Original Soundtrack]
»Trent Reznor & Atticus Ross
The Social Network [Original Soundtrack]
The Null Corporation
Deerhunter - Halcyon Digest
»Deerhunter
Halcyon Digest
4AD
No Age - Everything in Between
»No Age
Everything in Between
Sub Pop
Robyn - Body Talk Pt. 1/ Body Talk Pt. 2
»Robyn
Body Talk Pt. 1/ Body Talk Pt. 2
Konichiwa
The Walkmen - Lisbon
»The Walkmen
Lisbon
Fat Possum
Run_Return
Metro North
n5md

Rating: 8.5/10 ?


January 3, 2006
Metro North is the kind of record year-end lists were designed for, and I hate myself for having not discovered it earlier. Run_Return have it all: charisma, technical proficiency, an aversion of pigeonholes, a clear knack for applying that finishing gloss to their mixes, and that extra dimension that mere reviewer-babble eternally wastes itself upon. At this point, with most conclusive analysis on 2005 releases finished, Metro North may be the best record you never heard.

What separates Run_Return from the world's million-and-one IDM hopefuls is their aptitude for playing IDM. Metro North is not the aural offspring of some spotty teenager whose parents have just bought them Reason 3.0, but rather a focused digital impression derived from a series of jams between three young Americans; and it shows. Though it may orbit synthesizers, hence utilizing a modest degree of programming (which modern technology universally permits), it is fleshed out with vibes, live drums and guitars, and is conveyed with that raw musical integrity that cannot be sequenced or superficially bought into.

To strip Run_Return down is to reveal an indistinct blurring of genres. Their intergalactic swagger gazes into the future, showcasing the same jazzy swing that thrust Tortoise into the instrumental foreframe. Beyond their post-rock core shimmers an ode to the likes of Telefon Tel-Aviv and Pulseprogramming in the form of the microscopic blip and skitter patterns that line each mix.

Upon embarking on an ambitious 16 tracks, Run_Return seemingly don't shy away from a challenge, and with "Aerospace Lanes" they don't hang about either. The opening cut is a multi-pronged future-jazz assault, laced with vibes, subtle electronic beats, and anchored by the fattest bass synth this side of Fabric. "OKC dani" carries less weight, largely forming itself around a single melancholic violin track, whereas "Weights and Measures" sits at the lower end of the Run_Return frequency spectrum, tenderly switching between synth collisions and soporific noise clouds.

Metro North presents an example of those rare recordings that are so crisp and dense that they seem almost physically tangible. It is far-reaching, multi-dimensional, and manages to maintain and equilibrium between busy climatic peaks and moments of light hypnosis. Run_Return have articulated their designs for the future, and if Metro North is anything to go by, we can rest assured that a future in which Run_Return feature will transpire for the greater good.

Reviewed by Mike Wright
A staff writer based in London, England, Mike Wright is eternally troubled by the American bastardization of the English language.

See other reviews by Mike Wright

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