» Full Dark, No Stars - Stephen King's new novella questions mankind's ability to trust others.
[02.21.2011 by Bridget Doyle]


 » The Top 30 Albums of 2010 - Fashionably, fabulously late, our favorite music (and believe me, there was a LOT) of 2010, the year that some have called the best year for music ever. And only some of those fools work here. Plenty of usual suspects, lots of ties and a few surprises that I won't spoil, including our unexpected #1.
[12.24.2010 by The LAS Staff]


 » Live: Surfer Blood/The Drums at Lincoln Hall, Chicago, IL - Remember when Weezer used to put together records that you could sing along to and rock out to? That's what Surfer Blood's show was like!
[11.04.2010 by Cory Tendering]

Music Reviews

Screaming Females - Castle Talk
»Screaming Females
Castle Talk
Don Giovanni
Trent Reznor & Atticus Ross - The Social Network [Original Soundtrack]
»Trent Reznor & Atticus Ross
The Social Network [Original Soundtrack]
The Null Corporation
Deerhunter - Halcyon Digest
Halcyon Digest
No Age - Everything in Between
»No Age
Everything in Between
Sub Pop
Robyn - Body Talk Pt. 1/ Body Talk Pt. 2
Body Talk Pt. 1/ Body Talk Pt. 2
The Walkmen - Lisbon
»The Walkmen
Fat Possum
Yourcodenameis: Milo
All Roads to Fault
Beggars Group

Rating: 6/10 ?

October 1, 2004
It's no secret I like the Beggars Group - they provide me with my much-needed fix of 4AD. I'm downright ravenous when it comes to their stuff, and I've come to expect a certain amount of greatness before even putting in one of their CDs. I admit this is a lot to live up to, which is why I preface this review by saying so.

Yourcodenameis:Milo has garnered a lot of praise. They've been voted Best British Newcomer by Kerrang Magazine. They've been compared to Fugazi, Joy Division, My Bloody Valentine and the Deftones. I feel bad I've missed the boat, because outside of a few tangential touches, I just don't hear it. I have a feeling I'll regret this later, when they produce a work that just blows me away, but for now, All Roads to Fault just doesn't connect.

What I hear is the late end of the emo trend. It sounds, to me, like aggressive, guitar heavy emo-punk, or at least in light of the underground. It reminds me, to a large extent, of McLusky, and to a lesser extent, of Sunny Day Real Estate, Thursday or Sparta. However, it's got a hyperemotional tinge to it that, frankly, comes off as a little whiney. Maybe I've just heard too many pangs of despair come forth from vocals like theirs; maybe I'm just projecting a little weariness on my part. It just doesn't live up to my expectations.

That said, I can hear what other critics are getting at. To be fair, there are some fairly fascinating elements of angular sound and instrumental detail, particularly on the standout, "Iron Chef." Overall, though, I'm going to have to chalk this one up to a mantra of "wait and see," or perhaps more accurately, "wait and recant."

Reviewed by Sarah Peters
A former music editor and staff writer for LAS, Sarah Peters recently disappeared. Perhaps one day she will surface again, who knows.

See other reviews by Sarah Peters



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