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 » Full Dark, No Stars - Stephen King's new novella questions mankind's ability to trust others.
[02.21.2011 by Bridget Doyle]

MUSIC

 » The Top 30 Albums of 2010 - Fashionably, fabulously late, our favorite music (and believe me, there was a LOT) of 2010, the year that some have called the best year for music ever. And only some of those fools work here. Plenty of usual suspects, lots of ties and a few surprises that I won't spoil, including our unexpected #1.
[12.24.2010 by The LAS Staff]

MUSIC

 » Live: Surfer Blood/The Drums at Lincoln Hall, Chicago, IL - Remember when Weezer used to put together records that you could sing along to and rock out to? That's what Surfer Blood's show was like!
[11.04.2010 by Cory Tendering]

Music Reviews

Screaming Females - Castle Talk
»Screaming Females
Castle Talk
Don Giovanni
Trent Reznor & Atticus Ross - The Social Network [Original Soundtrack]
»Trent Reznor & Atticus Ross
The Social Network [Original Soundtrack]
The Null Corporation
Deerhunter - Halcyon Digest
»Deerhunter
Halcyon Digest
4AD
No Age - Everything in Between
»No Age
Everything in Between
Sub Pop
Robyn - Body Talk Pt. 1/ Body Talk Pt. 2
»Robyn
Body Talk Pt. 1/ Body Talk Pt. 2
Konichiwa
The Walkmen - Lisbon
»The Walkmen
Lisbon
Fat Possum
Dipers
How to Plan Successful Parties
Omnibus Records

Rating: NR/10 ?


October 1, 2004
Waxing clever comparisons and prose in regards to The Dipers' How to Plan Successful Parties seems like such a waste. The album does not emit any highly artsy elements nor will it lend itself to superlative status in the eyes (and ears) of the greater rock clergy. There is something about The Dipers, though, that draws one in- if only for a brief quarter of an hour- to succumb to the lure of rock 'n' roll subtlety.

Really, How to Plan Successful Parties is what the essence of rock 'n' roll recordings is all about: short songs that abide to certain characteristics but still retain an edge of individuality. The Dipers certainly take heavy influence from bands of the past, but the musical mural of which the group paints ends up so muddled that it's hard to tell exactly who these inspirations are. What sticks out beyond all else is The Dipers' completely distorted, dissonant sound that pushes a broad feeling of relaxed-yet-intent.

The music is completely void of computer effects, samples, synthesizers, or anything else that was not present in the earlier times of rock 'n' roll (1960s-'70s). What becomes the main focus is the early East Coast and art punk elements of high energy and yells (often sounding as if they are shouted through a fuzzy megaphone), combined with simple transitions and three chord/note guitar structures. Taken in through other senses, their style is feedback, beer bottles, black boots, cigarettes, and drafty basement practice spaces. Most rock bands could duplicate this group's technical side, but few could reproduce its essence towards rocking.

That all said, there are noteworthy tracks such as "I'm So Spun" and "Shake," which contains maybe the most out of place lyrical usage of "C'mon and let me see you shake your tail feather" in the words' history. Each song spastically leads into the next after short two-minute spurts of shouting and blaring guitars. Before one knows it, the album has been finished and many just like myself will not know exactly what hit them. But sometimes, especially in the case of The Dipers, this is a good thing.

Reviewed by Josh Zanger
Joshua Ian Zanger, a native of rural Chicago, rocks many a world with his writing, style, and generally sweet aroma.

See other reviews by Josh Zanger

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