» Full Dark, No Stars - Stephen King's new novella questions mankind's ability to trust others.
[02.21.2011 by Bridget Doyle]


 » The Top 30 Albums of 2010 - Fashionably, fabulously late, our favorite music (and believe me, there was a LOT) of 2010, the year that some have called the best year for music ever. And only some of those fools work here. Plenty of usual suspects, lots of ties and a few surprises that I won't spoil, including our unexpected #1.
[12.24.2010 by The LAS Staff]


 » Live: Surfer Blood/The Drums at Lincoln Hall, Chicago, IL - Remember when Weezer used to put together records that you could sing along to and rock out to? That's what Surfer Blood's show was like!
[11.04.2010 by Cory Tendering]

Music Reviews

Screaming Females - Castle Talk
»Screaming Females
Castle Talk
Don Giovanni
Trent Reznor & Atticus Ross - The Social Network [Original Soundtrack]
»Trent Reznor & Atticus Ross
The Social Network [Original Soundtrack]
The Null Corporation
Deerhunter - Halcyon Digest
Halcyon Digest
No Age - Everything in Between
»No Age
Everything in Between
Sub Pop
Robyn - Body Talk Pt. 1/ Body Talk Pt. 2
Body Talk Pt. 1/ Body Talk Pt. 2
The Walkmen - Lisbon
»The Walkmen
Fat Possum
Mark Kozelek
What's Next to the Moon
Bad Man Recording Co.

Rating: NR/10 ?

October 1, 2004
It seems that most people who are AC/DC fans wouldn't really care for the Red House Painters slow sad style, likewise it's hard to imagine many Red House Painter fans also enjoying the style and antics of AC/DC. So it's almost as much of a shock as Shock Me that Kozelek should make his second solo album a complete AC/DC cover collection, with only the 3 previous covers on his first solo as warning.

Some people would write it off as a horrible and disgusting perversion of the creativity of Kozelek right off the bat. This only further proves that the Red House Painters weren't trying to be any kind of band, only to put out personal material. Most Red House Painters fans have more faith in Kozelek's ability to rework songs after his past accomplishments. This one does not fail, it makes AC/DC more tolerable to people like myself. His renderings of these songs are like adding sugar to a child's cough syrup. Instead of seeing the hardness and boisterous nature of AC/DC, Kozelek reveals the hidden hurt and sensitivity behind the music, makes AC/DC no longer monsters but the traditional groveling human beings.

Most of the songs are Kozelek alone with his guitar but a few feature double vocals, harmonies, and multiple guitar tracks. Most were probably done in a single take as though live, there are a few missed notes, which only serve to open up the songs even more and conjure pictures of a lonely boy in his bedroom playing his songs to no one but himself.

Though these songs were originally by AC/DC, Kozelek has made them his own and worth listening to if you have enjoyed his previous endeavors. They are to be used as more of an extension of ones own thought than a window into Kozelek himself.

Reviewed by JJ Hamon

See other reviews by JJ Hamon



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