» Full Dark, No Stars - Stephen King's new novella questions mankind's ability to trust others.
[02.21.2011 by Bridget Doyle]


 » The Top 30 Albums of 2010 - Fashionably, fabulously late, our favorite music (and believe me, there was a LOT) of 2010, the year that some have called the best year for music ever. And only some of those fools work here. Plenty of usual suspects, lots of ties and a few surprises that I won't spoil, including our unexpected #1.
[12.24.2010 by The LAS Staff]


 » Live: Surfer Blood/The Drums at Lincoln Hall, Chicago, IL - Remember when Weezer used to put together records that you could sing along to and rock out to? That's what Surfer Blood's show was like!
[11.04.2010 by Cory Tendering]

Music Reviews

Screaming Females - Castle Talk
»Screaming Females
Castle Talk
Don Giovanni
Trent Reznor & Atticus Ross - The Social Network [Original Soundtrack]
»Trent Reznor & Atticus Ross
The Social Network [Original Soundtrack]
The Null Corporation
Deerhunter - Halcyon Digest
Halcyon Digest
No Age - Everything in Between
»No Age
Everything in Between
Sub Pop
Robyn - Body Talk Pt. 1/ Body Talk Pt. 2
Body Talk Pt. 1/ Body Talk Pt. 2
The Walkmen - Lisbon
»The Walkmen
Fat Possum
Loose Crochet
54' 40 or Fight!

Rating: NR/10 ?

October 1, 2004
Most of you readers and listeners out there will probably never hear of or hear the Double. I was once one of you and if I had not decided to write reviews for Lost at Sea, I never would've heard of them either. This is one of the perks of being in my unglamorous position-I can get the word out about obscure bands that will hopefully find a place in your music library.

The Double refers to two men playing drums and guitar, both of them singing. They hail from Brooklyn, NY and this is their first album on the Michigan-based label. The description of their sound that was provided in their press release is fairly accurate-they combine the improvisation and chaos of the Storm and Stress with the gentle folk sounds of Cat Power. But let's not keep this review to comparisons alone.

Imagine a frustrated, strung-out and bent folk singer that has given up on the coffee shop scene and decides to get together to jam with a free jazz drummer. The vocals are shaky and slightly nasally, and bring to mind hobos singing 'round the fire. What results of all these elements is an awkwardly beautiful and intoxicating batch of songs that fall apart as soon as they come together. It just goes to show you that construction is sometimes no different than destruction, and that they often make the same sound.

Reviewed by Lull Tucker

See other reviews by Lull Tucker



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