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CINEMA

 » Blood into Wine - Any big fan of Maynard James Keenan knows that the Tool/A Perfect Circle/Puscifer frontman has been living a double life for the past several years as a winemaker/entrepreneur. But seeing as the charismatic Keenan is not the most media-friendly of musicians, it's a rare feat to get an in-depth glimpse into what the man's other passion project entails.
[08.26.2010 by Kiran Aditham]

LITERATURE

 » The Red Queen - Phillipa Gregory revisits England during the War of the Roses.
[08.23.2010 by Bridget Doyle]

COLUMN

 » Missed the Boat #6: Supergroups and Solo Surprises - In a time when more albums than ever are being made and fewer publications can afford to exist, more gatekeepers than ever are needed to separate the wheat from the chaff. Here's this month's batch of unreviewed but worth your time records that may have been overlooked.
[08.16.2010 by Dan Weiss]

Music Reviews

Secret Cities - Pink Graffiti
»Secret Cities
Pink Graffiti
Western Vinyl
Arcade Fire - The Suburbs
»Arcade Fire
The Suburbs
Merge
Best Coast - Crazy for You
»Best Coast
Crazy for You
Mexican Summer
The Roots - How I Got Over
»The Roots
How I Got Over
Def Jam
M.I.A. - /\\/\\/\\Y/\\
»M.I.A.
///Y/
N.E.E.T.
The New Pornographers - Together
»The New Pornographers
Together
Matador
Rebecca Schiffman
Upside Down Lacrimosa
Some Records

Rating: NR/10 ?


October 1, 2004
Rebecca Schiffman's debut had two biases working in full force before I even spun the CD. One, that I am unfairly biased against singer-songwriters, because most of the solo albums from people I don't recognize warrant a lot of criticism (and it seems like any person with a guitar and two cents worth of recording time can and will make an album).

The other is that after reading her biography, I developed a sugary and blushing girl-crush on Ms. Schiffman. It's not like me to admit that readily, but after hearing her stance on music and her own undying creativity, I caved in. The Upside Down part of her chosen title refers to the fact that she often turns established sheet music on its head to hear how it would sound. Already, she strikes me as a person who sees with different eyes than most, and loves to relish in the creative. In full, she says that since "Lachrymose" means sad, then Upside Down Lacrimosa might just mean happy. It is in the spirit of playing with one's own words, intentions, and emotions that my little crush was furthered along.

Luckily for me, her music justifies my good feelings toward her. The album is resplendent and charming. Her influences are beautiful, from Classical music to The Softies, Shannon Wright, Bebel Gilberto and Lois, and bring forth a heartily-steeped, harmonious sound. She is, undoubtedly, a serious musician- and yet she maintains the sweet quality best characterized by her lilting voice, and shows a softened heart.

Keyboards, drums, and luscious strings swirl ambitiously, even when aptly pinned to Mozart's "Lacrimosa", which she recreates at the album's center. For some, this attempt may result in the pretentious, but Ms. Schiffman manages to emote a labor of love. Tracks like "Long Ride Home" dote on her crystalline, twee side, relaxing amid buoyant harmonies; others such as "Pigeons and Igloos" focus on her form carefree faux-Brazilian jazz, meshing competence with touch-toed exuberance. Her proficiency as an instrumentalist is versed but never intimidating, and though her graceful voice is treasure enough, her ability to support it with technical expertise and tremendous creativity makes this album a true gift.

As I have the ability to carry this portable memento along as I stride around the lake or enjoy the comfort of my patio, I can happily court Rebecca Schiffman. While this is unbeknownst to the artist, I'll more than willingly adopt her as secret muse and companion. The world just looks a little prettier with her around.

Reviewed by Sarah Peters
A former music editor and staff writer for LAS, Sarah Peters recently disappeared. Perhaps one day she will surface again, who knows.

See other reviews by Sarah Peters

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