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 » Full Dark, No Stars - Stephen King's new novella questions mankind's ability to trust others.
[02.21.2011 by Bridget Doyle]

MUSIC

 » The Top 30 Albums of 2010 - Fashionably, fabulously late, our favorite music (and believe me, there was a LOT) of 2010, the year that some have called the best year for music ever. And only some of those fools work here. Plenty of usual suspects, lots of ties and a few surprises that I won't spoil, including our unexpected #1.
[12.24.2010 by The LAS Staff]

MUSIC

 » Live: Surfer Blood/The Drums at Lincoln Hall, Chicago, IL - Remember when Weezer used to put together records that you could sing along to and rock out to? That's what Surfer Blood's show was like!
[11.04.2010 by Cory Tendering]

Music Reviews

Screaming Females - Castle Talk
»Screaming Females
Castle Talk
Don Giovanni
Trent Reznor & Atticus Ross - The Social Network [Original Soundtrack]
»Trent Reznor & Atticus Ross
The Social Network [Original Soundtrack]
The Null Corporation
Deerhunter - Halcyon Digest
»Deerhunter
Halcyon Digest
4AD
No Age - Everything in Between
»No Age
Everything in Between
Sub Pop
Robyn - Body Talk Pt. 1/ Body Talk Pt. 2
»Robyn
Body Talk Pt. 1/ Body Talk Pt. 2
Konichiwa
The Walkmen - Lisbon
»The Walkmen
Lisbon
Fat Possum
Broken Hands for Brilliant Minds
Remember the Past, Respect the Future
Odd Halo Recordings

Rating: 3/10 ?


October 1, 2004
You know what's funny? In comparison to this CD, I think I'd have more fun listening to John Cage's ambient experiments. No hyperbole here, I just really like Cage's work for some reason; another amusing side note being that I was introduced to Cage in a classical music course.

Back to the album at hand however; Broken Hands for Brilliant Minds is classified (in the press sheet) as Experimental Ambient, Folk, and Post Rock Movement, which raises the question - when was this so-called Rock Movement that this music is following? I mean if this type of evocative sound comes after the Rock Movement then surely it must have been a dry period for musical innovation. Or maybe it was merely after a movement of rocks. Nevertheless I can't wait for someone to tackle the Post Avant-Garde genre!

Okay, my grand and courageous witticisms aside, the label Odd Halo is a "small coalition conceived out of admiration for the strangely dark and compelling." I have no problem with dark or compelling, but what Broken Hands for Brilliant Minds delves into while trying to achieve "dark and compelling" verges constantly on melodrama. Take note, aspiring horror filmmaker! This may be the B-movie terror score of your dreams!

This album is loaded to the max; Remember the Past, Respect the Future runs an astounding 70:31 minutes. Composed of 6 tracks, the longest clocking in at 28:26 (complete with 19:57 of beautiful and serene silence).

"This project mixes the sounds of Godspeed You Black Empower, Mogwai, Der Blutharsch, Tribe of Circle with elements of Lustmord, Robert Rich and Raison D'Etre," states the Odd Halo coaltion. This is exactly why I don't enjoy numerous name drops in association with a smaller artist; here Broken Hands for Brilliant Minds is no longer even influenced by other bands, but rather they actually "mixe the sounds of".

If there were less concentration on who the album emulates perhaps Broken Hands for Brilliant Minds could seek something wholly unique. Looking to any electronic music retrospective from the 20th century, you can find a plethora of experiments within the genre. For me, this particular album doesn't necessarily push the established genre limits as well as other contemporary groups.

Sure, this might be an interesting first listen, but after the novelty wears off. You really begin to pick apart the shortcomings of the tracks when the album reveals itself to have nothing startlingly virtuous. This is a disc that I don't feel I'll be listening to again anytime soon.

Reviewed by Abi Huynh
A contributing writer based in Vancouver, British Columbia, Abi Huynh enjoys film and music that most people criminally ignore.

See other reviews by Abi Huynh

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