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CINEMA

 » Blood into Wine - Any big fan of Maynard James Keenan knows that the Tool/A Perfect Circle/Puscifer frontman has been living a double life for the past several years as a winemaker/entrepreneur. But seeing as the charismatic Keenan is not the most media-friendly of musicians, it's a rare feat to get an in-depth glimpse into what the man's other passion project entails.
[08.26.2010 by Kiran Aditham]

LITERATURE

 » The Red Queen - Phillipa Gregory revisits England during the War of the Roses.
[08.23.2010 by Bridget Doyle]

COLUMN

 » Missed the Boat #6: Supergroups and Solo Surprises - In a time when more albums than ever are being made and fewer publications can afford to exist, more gatekeepers than ever are needed to separate the wheat from the chaff. Here's this month's batch of unreviewed but worth your time records that may have been overlooked.
[08.16.2010 by Dan Weiss]

Music Reviews

Secret Cities - Pink Graffiti
»Secret Cities
Pink Graffiti
Western Vinyl
Arcade Fire - The Suburbs
»Arcade Fire
The Suburbs
Merge
Best Coast - Crazy for You
»Best Coast
Crazy for You
Mexican Summer
The Roots - How I Got Over
»The Roots
How I Got Over
Def Jam
M.I.A. - /\\/\\/\\Y/\\
»M.I.A.
///Y/
N.E.E.T.
The New Pornographers - Together
»The New Pornographers
Together
Matador
Phosphorescent
The Weight of Flight
Warm Records

Rating: 8/10 ?


October 1, 2004
Phosphorescent's The Weight of Flight is instantly impressive and unpredictable, tugging at the very heartstrings of musical sensibility. Fans of Bedhead, Okkervil River and Will Oldham are bound to be impressed by Matthew Houck's hearty determination; in fact, it seems his calling to push indie-folk ever forward.

The results are truly stirring: as a whole, the EP inspires an emotional wash. Houck begins with the stark, intimate plodding of "Toes Out to Sea," where a hopeless heart serves as a prelude of things to come. "All of It All" brightens and unfurls from there, warming up in dense layers of brushed organ.

Hurt but looking up, he leads to the faultless apex, "When We Fall." A curious down-home carnival of sound, it proves the EP smartly farcical and serves as the fever dream by which dull lives fall short.

This bizarre and unattainable instant rolls perfectly into a battered rendition of "My Heroes Have Always Been Cowboys." Houck's interpretation of the Willie Nelson classic could barely be more inspired; it crashes to the lowest low after such an absurd climactic moment. Its busted, spent misery weighs everything back down to earth; its placement aggravates all those ironic realities that crawl under the skin.

Afterwards, the organs seem more chilled, the lyrics more beaten and the doubt more stinging. The final two tracks are bleary-eyed and desperate, and while horns and tempos rise in hopes of a sudden upswing, no glimmering flash is as dazzling as the dream. The Weight of Flight ends on a broken note, seeking salvation or at least escape. Seldom does 29 minutes of music feel so moving.

Reviewed by Sarah Peters
A former music editor and staff writer for LAS, Sarah Peters recently disappeared. Perhaps one day she will surface again, who knows.

See other reviews by Sarah Peters

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