» Full Dark, No Stars - Stephen King's new novella questions mankind's ability to trust others.
[02.21.2011 by Bridget Doyle]


 » The Top 30 Albums of 2010 - Fashionably, fabulously late, our favorite music (and believe me, there was a LOT) of 2010, the year that some have called the best year for music ever. And only some of those fools work here. Plenty of usual suspects, lots of ties and a few surprises that I won't spoil, including our unexpected #1.
[12.24.2010 by The LAS Staff]


 » Live: Surfer Blood/The Drums at Lincoln Hall, Chicago, IL - Remember when Weezer used to put together records that you could sing along to and rock out to? That's what Surfer Blood's show was like!
[11.04.2010 by Cory Tendering]

Music Reviews

Screaming Females - Castle Talk
»Screaming Females
Castle Talk
Don Giovanni
Trent Reznor & Atticus Ross - The Social Network [Original Soundtrack]
»Trent Reznor & Atticus Ross
The Social Network [Original Soundtrack]
The Null Corporation
Deerhunter - Halcyon Digest
Halcyon Digest
No Age - Everything in Between
»No Age
Everything in Between
Sub Pop
Robyn - Body Talk Pt. 1/ Body Talk Pt. 2
Body Talk Pt. 1/ Body Talk Pt. 2
The Walkmen - Lisbon
»The Walkmen
Fat Possum
Monitor Records

Rating: NR/10 ?

October 1, 2004
Prior to actually hearing Oxes I had heard a number of things about them. One fact was that they play with wireless guitars, allowing them to fully invade the crowd when playing live. A second fact was that they have done numerous live stints with the great Shellac, at Shellac's request. Those two tidbits, combined with the album artwork and the spoof of a one-sheet which accompanied it sparked curiosity on my end. Although I cannot say I was completely sold on or overly surprised by their extremely jagged brand of angular ebb and flow I can say that Oxes do an impeccable job of impersonating a Chicago post-prog, neo-metal avante rock. This acting ability combines well with their east-coast base to give the Oxes a vantage point from which to strike at any moment. The hectic pace at which they chop the choppy chords points clearly to the style of artistically non-art post-hardcore rock that only the metropolises of the east can produce. On the maniacally mathematical, almost ballet end of the spectrum lie the likes of Turing Machine and, on the other, you have Oxes. From the opening "Dear Spirit, I'm in France" through the end of "Riki Creem Calls This One 'Chivas Regal'" the trio of Prison, Dr. Windsor Castle an New York City lock into a collective hypnosis fueled by scraping and bending guitars, cracked cymbals and telepathic vocals that never relinquishes the focus of your utmost attention. The compositions here are obviously the work of skilled musicians and are at times so forward thinking in terms of space and interrelation that they begin to wear on the listener by the end of "Panda Strong", the third track. It may be complex and it may be erratic but very few people will be able to listen to an album of such abrasiveness all the way through comfortably. I mean, I can put broken glass in my mouth, but I can't really chew on it, you know? Not to mention Dr. Windsor Castle and New York City are completely unable to change the tuning of their guitars. Interesting? Check. Engaging? Check. Interest sustainable? Probably not, unless you're a serial killer.

Reviewed by Avery Jones

See other reviews by Avery Jones



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