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 » The Top 30 Albums of 2010 - Fashionably, fabulously late, our favorite music (and believe me, there was a LOT) of 2010, the year that some have called the best year for music ever. And only some of those fools work here. Plenty of usual suspects, lots of ties and a few surprises that I won't spoil, including our unexpected #1.
[12.24.2010 by The LAS Staff]

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 » Live: Surfer Blood/The Drums at Lincoln Hall, Chicago, IL - Remember when Weezer used to put together records that you could sing along to and rock out to? That's what Surfer Blood's show was like!
[11.04.2010 by Cory Tendering]

Music Reviews

Screaming Females - Castle Talk
»Screaming Females
Castle Talk
Don Giovanni
Trent Reznor & Atticus Ross - The Social Network [Original Soundtrack]
»Trent Reznor & Atticus Ross
The Social Network [Original Soundtrack]
The Null Corporation
Deerhunter - Halcyon Digest
»Deerhunter
Halcyon Digest
4AD
No Age - Everything in Between
»No Age
Everything in Between
Sub Pop
Robyn - Body Talk Pt. 1/ Body Talk Pt. 2
»Robyn
Body Talk Pt. 1/ Body Talk Pt. 2
Konichiwa
The Walkmen - Lisbon
»The Walkmen
Lisbon
Fat Possum
1956
The Great Sleep
Copter Crash

Rating: NR/10 ?


October 1, 2004
There is very little information about 1956 available (or at least that I can find via the usual channels available to an indie journalisté), but I do know that the makers of The Great Sleep come from Milwaukee (which is information made available via the the Copter Crash website). I'm guessing this is their debut EP since I can't find any record of another album by the band and because of the content, so I guess we'll go from here. Sorry if I'm wrong, guys.

The Great Sleep's first song, "Giving Away the Ending," is the only instrumental track on the album, featuring some very simple guitar work at the forefront for under a minute before heading into "A Lesson in Rememberance," (yes, that is the way it is written) - the first of the six songs that is accurately described as metal and post-hardcore. I'd say this is about as metal as post-hardcore can sound, if that makes any sense at all.

1956 is at its best during its great, unpredictable changes in tempo, guitars heavy and driving at one point and stopping dead only seconds later, keeping you on your toes during songs like "six ways to nothing." These tempo changes correspond well with the singer's vocals that change from completely charged and screaming (often long and drawn out yells) to quiet and restrained moaning (see "While Eden Burns").

However, vocals in "A Lesson in Rememberance" and "Ether" sound unfortunately similar to Staind's Aaron Lewis at times, leaving a terrible feeling in my stomach after only a few songs. I'm sorry to say, that this bad feeling, combined with a mediocrity of sound, cannot be ameliorated by the solidity of the great sleep's tempo changes.

Reviewed by Jeanette Samyn
A contributing writer for LAS and a former music director WBAR at Barnard College.

See other reviews by Jeanette Samyn

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