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 » Full Dark, No Stars - Stephen King's new novella questions mankind's ability to trust others.
[02.21.2011 by Bridget Doyle]

MUSIC

 » The Top 30 Albums of 2010 - Fashionably, fabulously late, our favorite music (and believe me, there was a LOT) of 2010, the year that some have called the best year for music ever. And only some of those fools work here. Plenty of usual suspects, lots of ties and a few surprises that I won't spoil, including our unexpected #1.
[12.24.2010 by The LAS Staff]

MUSIC

 » Live: Surfer Blood/The Drums at Lincoln Hall, Chicago, IL - Remember when Weezer used to put together records that you could sing along to and rock out to? That's what Surfer Blood's show was like!
[11.04.2010 by Cory Tendering]

Music Reviews

Screaming Females - Castle Talk
»Screaming Females
Castle Talk
Don Giovanni
Trent Reznor & Atticus Ross - The Social Network [Original Soundtrack]
»Trent Reznor & Atticus Ross
The Social Network [Original Soundtrack]
The Null Corporation
Deerhunter - Halcyon Digest
»Deerhunter
Halcyon Digest
4AD
No Age - Everything in Between
»No Age
Everything in Between
Sub Pop
Robyn - Body Talk Pt. 1/ Body Talk Pt. 2
»Robyn
Body Talk Pt. 1/ Body Talk Pt. 2
Konichiwa
The Walkmen - Lisbon
»The Walkmen
Lisbon
Fat Possum
Scannerfunk
Wave of Light by Wave of Light
Beggars Banquet/Sulfur

Rating: NR/10 ?


October 1, 2004
Scannerfunk is apparently a variation on Scanner, which is the standard operating moniker of Robin Rimbaud. Mister Rimbaud is, according to this album's resume, quite an accomplished voyeur in the world of music operating in the purely electronic medium. While the press materials fluttering about the release of this album and the subsequent media interpretations of Wave of Light on Wave of Light all point a finger toward the term "unconventional" I fail to see or hear anything resembling a groundbreaking phenomenon on this album. After the awkward opening of "I Am Calm" this album sets itself into a comfortable groove that never stops. The ambience and the ambiance are luxuriously received, carefully processed and mulled over and now dutifully reported on. All points are enjoyable, but very few could be called unconventional, at least in my experience.

I spent a large portion of my youth in a cultural exile from my farm-town academic compatriots. While they spent their summers in little leagues of baseball and soccer I spent mine in the antique setting of my grandparents' central German home. In time I met various kids my age who have stayed on as my friends and they, along with the majority of passing acquaintances, were wrapped up tight in the blips and beats of electronic music. My Minor Threat and, later, Faith No More and Living Colour records were as unfashionable there as they were in my stateside hometown. The German kids were into electronica. They always were and they still are. Their music, like their lives, was far richer than what I generally occupied myself with. They were smarter, better looking, more educated and it was all reflected in their music. My friends in Hessenland turned me on to a variety of alternative sounds, many of which shared the themes of orchestration, desolation and the marriage of dance/transition that Rimbaud presents in a fashion of generalized vagueness over this ten course album. A lot of ground is covered and it is, as I said, enjoyable, but it this isn't the first time I've heard tracks like these.

Scannerfunk stands apart from much of contemporary UK/US outfits more for delivery than for content. Clarification: there are people out there doing this, doing that, but they aren't doing this and that, and certainly not in such a tasteful way. The transitions from sweeping tracks like "Cosy Veneer" to the more urgent, extremely danceable "Automatic" are both readily apparent and seamless. The tracks are disparaging but cohesive within the greater body of work. Rimbaud does experiment a bit more in this one sitting than most do, but that could just as easily be a result of time and subsequently changing stylistic influences as to a broad vision.

But when you're on the dance floor or in your flat - when it really matters - isn't that beside the point? If it moves you, if it moves your feet and your ass and your head and your brain in an engaging manner - isn't that the point? Yes, I believe it is. And yes, Scannerfunk does.

Reviewed by Eric J Herboth
Eric J. Herboth is the founder, publisher and Managing Editor of LAS magazine. He is a magazine editor, freelance writer, bike mechanic, commercial pilot, graphic designer, International Scout enthusiast and giver of the benefit of the doubt. He currently lives in rural central Germany with his two best friends, dog Awahni and cat Scout.

See other reviews by Eric J Herboth

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