» Full Dark, No Stars - Stephen King's new novella questions mankind's ability to trust others.
[02.21.2011 by Bridget Doyle]


 » The Top 30 Albums of 2010 - Fashionably, fabulously late, our favorite music (and believe me, there was a LOT) of 2010, the year that some have called the best year for music ever. And only some of those fools work here. Plenty of usual suspects, lots of ties and a few surprises that I won't spoil, including our unexpected #1.
[12.24.2010 by The LAS Staff]


 » Live: Surfer Blood/The Drums at Lincoln Hall, Chicago, IL - Remember when Weezer used to put together records that you could sing along to and rock out to? That's what Surfer Blood's show was like!
[11.04.2010 by Cory Tendering]

Music Reviews

Screaming Females - Castle Talk
»Screaming Females
Castle Talk
Don Giovanni
Trent Reznor & Atticus Ross - The Social Network [Original Soundtrack]
»Trent Reznor & Atticus Ross
The Social Network [Original Soundtrack]
The Null Corporation
Deerhunter - Halcyon Digest
Halcyon Digest
No Age - Everything in Between
»No Age
Everything in Between
Sub Pop
Robyn - Body Talk Pt. 1/ Body Talk Pt. 2
Body Talk Pt. 1/ Body Talk Pt. 2
The Walkmen - Lisbon
»The Walkmen
Fat Possum
Interlude with Fun Machine
Starlight Furniture Co.

Rating: NR/10 ?

October 1, 2004
Steve Fisk and Bob Beerman, of the outfit Pell Mell, have described this recent union as a batch of "minimal rhythm-box and warm organ instrumentals, with a deadpan Krautrock undercurrent." That being said, Interlude with Fun Machine functions as a color wheel, where opposing colors complement and build upon each other. Patterns, found sounds, and presets weave atop one another to present something wholly unique.

They further describe themselves as one part "kitschy lounge and soundtrack-ish music", one part "unadorned rhythm boxes, Wurlitzer frailty, and minimal electronic music," dropping names like French Paddleboat, Eno, Young Marble Giants, and Cabaret Voltaire. These affinities are apparent, though most of this instrumental release derives from an almost tribal sense of rhythm. As "At It Again" may signal the beginning of mating season, "The Power Brokers" could bring rain, and "Another Coat" might ward off great evil. Underneath each layer is a striking foundation of pounding undertow, creating urgency and coherence beneath the changing facades.

If you enjoy the works of Self and Aphex Twin, this should not be too far of a stretch; and if the thought of such pixel-friendly plaid rock frightens you, there is a great reward to branching out with the beautifully recognizable closer, "Fin", which masks the duo's audacity under dense, dreamlike netting. This is music for the observant crowd, not the casual listener; and as such assures its own intelligence, pattern after pattern.

Reviewed by Sarah Peters
A former music editor and staff writer for LAS, Sarah Peters recently disappeared. Perhaps one day she will surface again, who knows.

See other reviews by Sarah Peters



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