» Full Dark, No Stars - Stephen King's new novella questions mankind's ability to trust others.
[02.21.2011 by Bridget Doyle]


 » The Top 30 Albums of 2010 - Fashionably, fabulously late, our favorite music (and believe me, there was a LOT) of 2010, the year that some have called the best year for music ever. And only some of those fools work here. Plenty of usual suspects, lots of ties and a few surprises that I won't spoil, including our unexpected #1.
[12.24.2010 by The LAS Staff]


 » Live: Surfer Blood/The Drums at Lincoln Hall, Chicago, IL - Remember when Weezer used to put together records that you could sing along to and rock out to? That's what Surfer Blood's show was like!
[11.04.2010 by Cory Tendering]

Music Reviews

Screaming Females - Castle Talk
»Screaming Females
Castle Talk
Don Giovanni
Trent Reznor & Atticus Ross - The Social Network [Original Soundtrack]
»Trent Reznor & Atticus Ross
The Social Network [Original Soundtrack]
The Null Corporation
Deerhunter - Halcyon Digest
Halcyon Digest
No Age - Everything in Between
»No Age
Everything in Between
Sub Pop
Robyn - Body Talk Pt. 1/ Body Talk Pt. 2
Body Talk Pt. 1/ Body Talk Pt. 2
The Walkmen - Lisbon
»The Walkmen
Fat Possum
Crowns / The Flock
Dischord Records

Rating: 8/10 ?

October 1, 2004
Since last summer I have been beating myself silly for not catching Q and not U and Black Eyes when they stopped in Milwaukee and Chicago. And now, listening to former QU/BE tour mates Antelope's newly released EP of "Crowns" and "The Flock", I have reinstated the self-inflicted bashing session in all its painful glory. But from this experience I have learned to get off my ass now and from this day forward, embracing all that is the new wave of Dischord post-punk.

Made up of former Vertebrates members Mike Andre and Bee Elvy, and Justin Moyer of El Guapo, Antelope play sometimes dissonant and sometimes melodic post-punk. The first song of the new EP, "Crowns", uses repetitive drumbeats and guitars, and is reminiscent of Red Medicine-era Fugazi. Repetition sets the steadfast rhythmic background for the vocals, which provide the major variation in the song and create a tense dynamic between movement and stasis. "The Flock" adds a bit of harmony to its melody/repetition combination and sounds more familiar than the first song when placed within the post-punk genre.

The vocals on the first track are unprecedented when compared to the second song, which is reminiscent of a toned down At The Drive In. Nevertheless, Antelope use a combination of short and direct words in their lyrics (more so on "The Flock") that have similar sounding vowel and consonant sounds. The lyrical consonance/assonance interplay ("the sheep say my oh my/ the cows want winter") fits together with the musical repetition, but still allows for a less-in-control vocal style.

Having some promise to become as jolting as their contemporaries, Antelope deliver two songs that are memorable and sound noticeably different from each other - a couple of important points that a lot of bands misconstrue or miss all together. Hopefully, by avoiding the Dischord crash and burn that has recently and sadly consumed Black Eyes, the guys in Antelope will stick around long enough for me to catch them on tour, steering clear of any more regrettable self-thrashing.

Reviewed by Abbie Amadio
The last we heard Abbie Amadio, a former contributor to LAS, was based in Milwaukee, Wisconsin.

See other reviews by Abbie Amadio



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