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[02.21.2011 by Bridget Doyle]

MUSIC

 » The Top 30 Albums of 2010 - Fashionably, fabulously late, our favorite music (and believe me, there was a LOT) of 2010, the year that some have called the best year for music ever. And only some of those fools work here. Plenty of usual suspects, lots of ties and a few surprises that I won't spoil, including our unexpected #1.
[12.24.2010 by The LAS Staff]

MUSIC

 » Live: Surfer Blood/The Drums at Lincoln Hall, Chicago, IL - Remember when Weezer used to put together records that you could sing along to and rock out to? That's what Surfer Blood's show was like!
[11.04.2010 by Cory Tendering]

Music Reviews

Screaming Females - Castle Talk
»Screaming Females
Castle Talk
Don Giovanni
Trent Reznor & Atticus Ross - The Social Network [Original Soundtrack]
»Trent Reznor & Atticus Ross
The Social Network [Original Soundtrack]
The Null Corporation
Deerhunter - Halcyon Digest
»Deerhunter
Halcyon Digest
4AD
No Age - Everything in Between
»No Age
Everything in Between
Sub Pop
Robyn - Body Talk Pt. 1/ Body Talk Pt. 2
»Robyn
Body Talk Pt. 1/ Body Talk Pt. 2
Konichiwa
The Walkmen - Lisbon
»The Walkmen
Lisbon
Fat Possum
Reverbaphon
Our Hearts Beat with Joy (The Curved World Outside)
Benbecula Records

Rating: 6.5/10 ?


October 1, 2004
(Initial exposition and a little reviewer referential tidbit, maybe)

Every reviewer does some tongue-in-cheek work at some point in his reviewing career - whether from boredom or sheer audacity. I think my day of a straightforward breakdown of the review structure has come!

(Short band bio, maybe some name dropping)

From: Glasgow, Scotland
Taken from label blurb: " - has been making music for twelve years, playing in improve bands and amassing a collection of weird and wonderful acoustic instruments…"
Kind of music: Folk/Electronic/Celtic/Experimental/Ambient

With the obvious formal experimentation, use of traditional instruments and fusing of genres on Our Hearts Beat with Joy (The Curved World Outside), it makes perfect sense that Reverbaphon has supported such acts as the eminent Four Tet.

(Dissecting, album as a whole, example tracks)

An unhurried experimentalism prevails throughout much of the disc and that sentiment stands well - Reverbaphon is never too crass or esoterically daunting. Most tracks deal beautifully with a sparse arrangement complemented by intense layering at points. Many show a quiet exuberance, with layered instruments that flourish with a strange grace and subtlety.

Although much of the album flows very nicely, there are some points that really stood out as somewhat lacking. For example, although the vocals provide a nice balance in some of the tracks, the layering feels rather forced into the arrangement at times.

(Album wrap up)

Reverbaphon shows a penchant for composition and a boldness in style and realization that is very easily grasped. If you enjoy this type of music, this album stands as a nice blip within the genre but does not yet see the band's aptitude manifested in the canon of masterpiece electronic works. The album comes off as a rather robust, nonetheless, and some moments with some of the acoustic plucking and layering are excellent. With an initial album as strong as Hearts Beat with Joy (The Curved World Outside), the strengths exhibited by Reverbaphon will undoubtedly develop and progress with future releases.

(Tongue-in-cheek wrap up)

So now that that's all out of my system I can go back to doing normal reviews - at least until my next urge to diverge into the more recondite territories of the "review process."

Reviewed by Abi Huynh
A contributing writer based in Vancouver, British Columbia, Abi Huynh enjoys film and music that most people criminally ignore.

See other reviews by Abi Huynh

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