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 » The Top 30 Albums of 2010 - Fashionably, fabulously late, our favorite music (and believe me, there was a LOT) of 2010, the year that some have called the best year for music ever. And only some of those fools work here. Plenty of usual suspects, lots of ties and a few surprises that I won't spoil, including our unexpected #1.
[12.24.2010 by The LAS Staff]


 » Live: Surfer Blood/The Drums at Lincoln Hall, Chicago, IL - Remember when Weezer used to put together records that you could sing along to and rock out to? That's what Surfer Blood's show was like!
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Music Reviews

Screaming Females - Castle Talk
»Screaming Females
Castle Talk
Don Giovanni
Trent Reznor & Atticus Ross - The Social Network [Original Soundtrack]
»Trent Reznor & Atticus Ross
The Social Network [Original Soundtrack]
The Null Corporation
Deerhunter - Halcyon Digest
Halcyon Digest
No Age - Everything in Between
»No Age
Everything in Between
Sub Pop
Robyn - Body Talk Pt. 1/ Body Talk Pt. 2
Body Talk Pt. 1/ Body Talk Pt. 2
The Walkmen - Lisbon
»The Walkmen
Fat Possum
Our Lady Peace
Columbia Records

Rating: NR/10 ?

October 1, 2004
A friend of mine once said, "Our Lady Peace sucks", and after hearing Gravity, I couldn't agree more. Our Lady Peace have packed an album full of ten awful songs and headed off for America to socialize with Carson Daly on TRL, dropping anything they could possibly had going for them on their way (though I'm not really sure at the moment what that might have been.)

Gravity is supposed to be a turn in a new direction marked by the assistance of producer Bob Rock (Metallica), mixer Randy Staub (Nickelback, P.O.D.), and new guitarist Steve Mazur (chosen during a world-wide search for a new Our Lady Peace axe-man after their longtime guitarist Mike Turner left them last Christmas.) Where the Our Lady Peace of their past four albums could pass for interesting and even somewhat complex lyrically at times, with their new album the band has dumbed their music down more than ever, trying to compensate for brainlessness with a little extra force. Want proof? Just listen to "All For You," "Do You Like It," or "Sell My Soul."

On songs where the band isn't following a guideline of harder-makes-it-better, they're playing slower songs like "Somewhere Out There", which you've probably heard playing on the commercial radio stations across North America, so enough said there. Needless to say, it is even worse than the harder stuff.

If you're about to buy this album, you just might want to rethink your decision.

Reviewed by Jeanette Samyn
A contributing writer for LAS and a former music director WBAR at Barnard College.

See other reviews by Jeanette Samyn



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