» Full Dark, No Stars - Stephen King's new novella questions mankind's ability to trust others.
[02.21.2011 by Bridget Doyle]


 » The Top 30 Albums of 2010 - Fashionably, fabulously late, our favorite music (and believe me, there was a LOT) of 2010, the year that some have called the best year for music ever. And only some of those fools work here. Plenty of usual suspects, lots of ties and a few surprises that I won't spoil, including our unexpected #1.
[12.24.2010 by The LAS Staff]


 » Live: Surfer Blood/The Drums at Lincoln Hall, Chicago, IL - Remember when Weezer used to put together records that you could sing along to and rock out to? That's what Surfer Blood's show was like!
[11.04.2010 by Cory Tendering]

Music Reviews

Screaming Females - Castle Talk
»Screaming Females
Castle Talk
Don Giovanni
Trent Reznor & Atticus Ross - The Social Network [Original Soundtrack]
»Trent Reznor & Atticus Ross
The Social Network [Original Soundtrack]
The Null Corporation
Deerhunter - Halcyon Digest
Halcyon Digest
No Age - Everything in Between
»No Age
Everything in Between
Sub Pop
Robyn - Body Talk Pt. 1/ Body Talk Pt. 2
Body Talk Pt. 1/ Body Talk Pt. 2
The Walkmen - Lisbon
»The Walkmen
Fat Possum
The Goods
Sickroom Records

Rating: 3/10 ?

October 1, 2004
It would be much appreciated if someone would keep fringe members of marginally relevant bands from one incestuous music scene from forming an open-mic original cover band that makes Urge Overkill look like an un-ascertainable example of rock propriety. Just imagine if Chuck Mosley and Jim Martin - the two completely non-imperative members of Faith No More - began a new band with a couple of guys who would play air guitar at Murder City Devils concerts. Who would really care? I dare say that I wouldn't and I don't really think that you would either.

The guitars on The Goods are played well and at a point right around the delivery of the chorus to "Sleep Depravation Act of 1995" Runner reminds me a little bit of the first post-grunge wave of punk bands that couldn't deny the influence of Screaming Trees even though they wanted to rock like they worshiped the Melvins. Any number of examples like that could give you the idea about what Runner brings to the table - an interest in doing their own thing but an unfortunate lack of interesting ideas or techniques. I'm guessing these guys meant well when they sat down to record these energetic vanilla-rock tracks, but that doesn't keep them from sounding about as awe-inspiring as a footnote to the career of Letters to Cleo. Good for a fist pumping or Pabst-pounding moment at the bar with the bowling team, but not much else.

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