» Full Dark, No Stars - Stephen King's new novella questions mankind's ability to trust others.
[02.21.2011 by Bridget Doyle]


 » The Top 30 Albums of 2010 - Fashionably, fabulously late, our favorite music (and believe me, there was a LOT) of 2010, the year that some have called the best year for music ever. And only some of those fools work here. Plenty of usual suspects, lots of ties and a few surprises that I won't spoil, including our unexpected #1.
[12.24.2010 by The LAS Staff]


 » Live: Surfer Blood/The Drums at Lincoln Hall, Chicago, IL - Remember when Weezer used to put together records that you could sing along to and rock out to? That's what Surfer Blood's show was like!
[11.04.2010 by Cory Tendering]

Music Reviews

Screaming Females - Castle Talk
»Screaming Females
Castle Talk
Don Giovanni
Trent Reznor & Atticus Ross - The Social Network [Original Soundtrack]
»Trent Reznor & Atticus Ross
The Social Network [Original Soundtrack]
The Null Corporation
Deerhunter - Halcyon Digest
Halcyon Digest
No Age - Everything in Between
»No Age
Everything in Between
Sub Pop
Robyn - Body Talk Pt. 1/ Body Talk Pt. 2
Body Talk Pt. 1/ Body Talk Pt. 2
The Walkmen - Lisbon
»The Walkmen
Fat Possum
Morgan Finlay

Rating: NR/10 ?

October 1, 2004
After hearing Uppercut's opener, "Zensong," I was driven to read Morgan Finlay's press packet. That probably sounds like a good thing at first (note to Morgan: Way to go! But you might want to stop reading right about now), but it was actually just to find out what the fuck is going on with our blonde-haired, hoop-earringed singing-songwriting friend. A cross between Creed and Nickelback, indisputably two of the worst modern-rock outfits putting out records right now, Uppercut is a terribly agonizing listen.

While "Zensong" is straight-up, modern-VH1-rock, the following track, "In a Perfect World," introduces Finlay's funkier side to the listener, which leads to unavoidable and unfortunate Maroon 5 comparisons. "The Reason Why" and "A Lesson" could both be missing tracks from Lifehouse's No Name Face, and if you're still listening by the time the last two songs, "Flow" and "Everything Will Work out Right" come around, you either are already a fan and will remain one or are some dumb-assed review-writing tool who has not been able to find one nice thing to say about it and won't be able to by the end of the record.

Reviewed by Jeanette Samyn
A contributing writer for LAS and a former music director WBAR at Barnard College.

See other reviews by Jeanette Samyn



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