» Full Dark, No Stars - Stephen King's new novella questions mankind's ability to trust others.
[02.21.2011 by Bridget Doyle]


 » The Top 30 Albums of 2010 - Fashionably, fabulously late, our favorite music (and believe me, there was a LOT) of 2010, the year that some have called the best year for music ever. And only some of those fools work here. Plenty of usual suspects, lots of ties and a few surprises that I won't spoil, including our unexpected #1.
[12.24.2010 by The LAS Staff]


 » Live: Surfer Blood/The Drums at Lincoln Hall, Chicago, IL - Remember when Weezer used to put together records that you could sing along to and rock out to? That's what Surfer Blood's show was like!
[11.04.2010 by Cory Tendering]

Music Reviews

Screaming Females - Castle Talk
»Screaming Females
Castle Talk
Don Giovanni
Trent Reznor & Atticus Ross - The Social Network [Original Soundtrack]
»Trent Reznor & Atticus Ross
The Social Network [Original Soundtrack]
The Null Corporation
Deerhunter - Halcyon Digest
Halcyon Digest
No Age - Everything in Between
»No Age
Everything in Between
Sub Pop
Robyn - Body Talk Pt. 1/ Body Talk Pt. 2
Body Talk Pt. 1/ Body Talk Pt. 2
The Walkmen - Lisbon
»The Walkmen
Fat Possum
Bright Yellow, Bright Orange
Jetset Records

Rating: NR/10 ?

October 1, 2004
If you are not familiar with The Go-Betweens, you are missing out on an indelible piece of pop genius and endearing charm. After a twelve-year hiatus, these Australian do-gooders got together to create Friends of Rachel Worth in 2002, and have now followed it up with the feel-good-feeling-bad album of the year.

This record embodies a reunited relationship in the stages of comfortable bliss. If Friends of Rachel Worth showed the rush of happiness upon missed embraces, this follow-up shows the easy harmony of settling in. Forster and McLennan even share the vocal spotlight on "Old Mexico," and the pair sounds as relaxed and tailor-made as ever.

Inspiring the likes of The Verlanes, Billy Bragg, and The Commotions, the feel and texture of the album is similar to The Softies' It's Love. There is something shy and introspective in its tone, enveloped by lush, memorable pleasantries and blissful sugar-coating.

"Too Much of One Thing" is a true favorite, sharing the simple country-pop stylings of Mr. Bragg and Andrew Bird with the carefree, intelligent jangle-pop that is synonymous with their name. If strumming is an art form, this is their modern exhibit.

"Caroline and I" shares familiarity with many of their classic tuneful structures, finding its place among a near-perfect catalog of confections. It is a strong opening reminder of the necessity of their recommencement as a band. Wistful and lovely, it longs for the days of the C-86 movement, with the sweet ache that comes from simple beauty.

As a bookend, the closing "Unfinished Business" brings an ache of a different sort; the kind only brought up by the sparse, lasting repercussions of a simple piano ballad. There is something so honest about the intent of Bright Yellow, Bright Orange - it is a release with so much heart and pure emotion that it can barely be improved upon.

Reviewed by Sarah Peters
A former music editor and staff writer for LAS, Sarah Peters recently disappeared. Perhaps one day she will surface again, who knows.

See other reviews by Sarah Peters



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