» Full Dark, No Stars - Stephen King's new novella questions mankind's ability to trust others.
[02.21.2011 by Bridget Doyle]


 » The Top 30 Albums of 2010 - Fashionably, fabulously late, our favorite music (and believe me, there was a LOT) of 2010, the year that some have called the best year for music ever. And only some of those fools work here. Plenty of usual suspects, lots of ties and a few surprises that I won't spoil, including our unexpected #1.
[12.24.2010 by The LAS Staff]


 » Live: Surfer Blood/The Drums at Lincoln Hall, Chicago, IL - Remember when Weezer used to put together records that you could sing along to and rock out to? That's what Surfer Blood's show was like!
[11.04.2010 by Cory Tendering]

Music Reviews

Screaming Females - Castle Talk
»Screaming Females
Castle Talk
Don Giovanni
Trent Reznor & Atticus Ross - The Social Network [Original Soundtrack]
»Trent Reznor & Atticus Ross
The Social Network [Original Soundtrack]
The Null Corporation
Deerhunter - Halcyon Digest
Halcyon Digest
No Age - Everything in Between
»No Age
Everything in Between
Sub Pop
Robyn - Body Talk Pt. 1/ Body Talk Pt. 2
Body Talk Pt. 1/ Body Talk Pt. 2
The Walkmen - Lisbon
»The Walkmen
Fat Possum
To Sing for Nights
Dim Mak Records

Rating: NR/10 ?

October 1, 2004
The members of Kill Sadie, Minus the Bear, Botch, and Sharks Keep Moving will undoubtedly be known for their vast amounts of side-projects. Here, as Onalaska, they come together in fully-textured form to present us with their take on slightly dark, wholly mellow folklore; complete with southern twang and a sense of drama.

It is immediately evident that their accomplished musicianship carries over well to this new format, with the added depth of dirty fingernails plucking and voices that huskily long for nicotine. While the first track, "Blue Reno", brings a Beatle-esque pop structure in layers with the clean and bizarre production of The Mountain Goats' Tallahassee, a great deal of the album is spent in bleak-yet-jangly introspection.

"Airports", like many of the tracks included, challenges Will Oldham to let his sense of humor and accessibility shine through. Structures are simple, mixing country with easy pop and the classic folk tinges that continually carry bands like Creedence Clearwater Revival to a new and immortal fan base. Truly, this form of dense, wry harmony and acoustic wizardry captures the same irrefutable timelessness. To Sing for Nights could have been created by any of the folk-rock powers that be at any time, and would be a proud addition to their catalog.

Finally, the closing track, "Sailors Friend", shows the power that pure, downcast melancholy adds when the lighter themes are abandoned. Touching and simple, it is a lonely chantey set to a dolorous piano ballad; showing that at their most stripped down, when the laughter stops and the truth is admitted to, there is a bare heart that has driven their artistry all along.

Reviewed by Sarah Peters
A former music editor and staff writer for LAS, Sarah Peters recently disappeared. Perhaps one day she will surface again, who knows.

See other reviews by Sarah Peters



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