» Full Dark, No Stars - Stephen King's new novella questions mankind's ability to trust others.
[02.21.2011 by Bridget Doyle]


 » The Top 30 Albums of 2010 - Fashionably, fabulously late, our favorite music (and believe me, there was a LOT) of 2010, the year that some have called the best year for music ever. And only some of those fools work here. Plenty of usual suspects, lots of ties and a few surprises that I won't spoil, including our unexpected #1.
[12.24.2010 by The LAS Staff]


 » Live: Surfer Blood/The Drums at Lincoln Hall, Chicago, IL - Remember when Weezer used to put together records that you could sing along to and rock out to? That's what Surfer Blood's show was like!
[11.04.2010 by Cory Tendering]

Music Reviews

Screaming Females - Castle Talk
»Screaming Females
Castle Talk
Don Giovanni
Trent Reznor & Atticus Ross - The Social Network [Original Soundtrack]
»Trent Reznor & Atticus Ross
The Social Network [Original Soundtrack]
The Null Corporation
Deerhunter - Halcyon Digest
Halcyon Digest
No Age - Everything in Between
»No Age
Everything in Between
Sub Pop
Robyn - Body Talk Pt. 1/ Body Talk Pt. 2
Body Talk Pt. 1/ Body Talk Pt. 2
The Walkmen - Lisbon
»The Walkmen
Fat Possum
Paula Frazer and Tarnation
Now It's Time

Rating: 7/10 ?

May 4, 2007
Although Tarnation had always been singer/songwriter Paula Frazer and a loose cadre of musicians, the Georgia-born performer embarked on a solo career after two albums with the band, 1995's Gentle Creatures and 1997's Mirador. While the former record won Frazer and her group a fair amount of attention, since they had the distinction of being an alt-county band on the atmosphere-steeped 4AD label, the latter met with an underwhelming response, no doubt a factor in the Tarnation name getting shelved.

Nearly a decade after Mirador, Frazer decided to take up the Tarnation mantle again, albeit with the altered billing of "Paula Frazer and Tarnation." The result, Now It's Time, features Frazer and company's signature twang on some tracks, particularly the woozy "Sleeping Dreams," but it often leaves that aesthetic in the background while playing up folk-tinged chamber-pop elements. A wavering warble that sometimes sounds like a fusion of Neko Case and Blue-era Joni Mitchell, Frazer's voice is well-suited for these delicate arrangements, as revealed on the light, piano-led "Bitter Rose" and "First Sign," which boasts swooning strings reminiscent of Bobbie Gentry's "Ode to Billie Joe." Though there are few lackluster tracks, most notably "Nowhere," a number that blatantly lifts the chiming guitar line of R.E.M.'s "Drive," Now It's Time is a welcome reminder of Frazer's talents, even if it doesn't quite recapture the verve of Tarnation's finest work.

Reviewed by Eric Schneider
A freelance writer and editor based in Saratoga Springs, New York, Eric Schneider is a regular contributor to LAS.

See other reviews by Eric Schneider



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