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LITERATURE

 » Full Dark, No Stars - Stephen King's new novella questions mankind's ability to trust others.
[02.21.2011 by Bridget Doyle]

MUSIC

 » The Top 30 Albums of 2010 - Fashionably, fabulously late, our favorite music (and believe me, there was a LOT) of 2010, the year that some have called the best year for music ever. And only some of those fools work here. Plenty of usual suspects, lots of ties and a few surprises that I won't spoil, including our unexpected #1.
[12.24.2010 by The LAS Staff]

MUSIC

 » Live: Surfer Blood/The Drums at Lincoln Hall, Chicago, IL - Remember when Weezer used to put together records that you could sing along to and rock out to? That's what Surfer Blood's show was like!
[11.04.2010 by Cory Tendering]

Music Reviews

Screaming Females - Castle Talk
»Screaming Females
Castle Talk
Don Giovanni
Trent Reznor & Atticus Ross - The Social Network [Original Soundtrack]
»Trent Reznor & Atticus Ross
The Social Network [Original Soundtrack]
The Null Corporation
Deerhunter - Halcyon Digest
»Deerhunter
Halcyon Digest
4AD
No Age - Everything in Between
»No Age
Everything in Between
Sub Pop
Robyn - Body Talk Pt. 1/ Body Talk Pt. 2
»Robyn
Body Talk Pt. 1/ Body Talk Pt. 2
Konichiwa
The Walkmen - Lisbon
»The Walkmen
Lisbon
Fat Possum
Sharks and Minnows
The Cost of Living
Two Sheds Music

Rating: 8/10 ?


October 1, 2004
Opening the album with "Sunday Driver" was a smart move, Sharks and Minnows; the song sounds like a Phil Spector produced girl group hit, albeit one without any female singers. What the song does have is rolling drums and loads of guitar. Add to that falsetto background vocals bouncing off the leads, the song screams 60's. "Slow Learner" is also poppy while at the same time maintaining a curious melancholy. It has some ringing keys, again lending to a retro vibe. But it's also here where Sharks & Minnows let the listener make no mistake about the high quality production of the album: every thing is crisp and clear, and the song structure is tight, tight, tight. Like Jimmy Eat World Bleed American tight. Throughout the album, it also becomes apparent that the band is a drum-driven one, which gives most of the tunes here a nice "edge".

"Cleopatra Song" is a (relatively) slow jam, with the band showing off some more impressive harmonies and an uncanny knack for catchy melodies. The chorus is also totally J.E.W. "The Slip" and "Small Song" will make Weezer fans happy; like Cuomo and company, S+M deliver sporadically self-reflexive songs that are at times as pensive as they are riff heavy. "Arlington #4" is a slow-burner, and a nice come down from the mostly heavy first half of The Cost of Living. The song remains propulsive, however, and sets things up nicely for "Past Life Regression", a hook filled pop song very reminiscent of all things West Coast, which is strange considering the quartet is from Georgia. "Statue of Marie" is a departure from the rest of the album; it's glitchy electronica pop, like a slightly meaner the Postal Service, and shows off a band not willing to stick to one genre.

The album closes much like it opened, with big guns blasting on "I Kept the Pieces You Threw Away". It also has angrier vocals, not quite screamo, which makes the song seem kind of operatic in a not quite screamo way. With a boat- load of good songs, Sharks and Minnows manages to break away from much of the cookie cutter indie rock so abundant today, delivering a solid album, which will be appreciated by anybody who has outgrown "emo" and is looking for something a little less formulaic and a little more mature.

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