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 » Full Dark, No Stars - Stephen King's new novella questions mankind's ability to trust others.
[02.21.2011 by Bridget Doyle]

MUSIC

 » The Top 30 Albums of 2010 - Fashionably, fabulously late, our favorite music (and believe me, there was a LOT) of 2010, the year that some have called the best year for music ever. And only some of those fools work here. Plenty of usual suspects, lots of ties and a few surprises that I won't spoil, including our unexpected #1.
[12.24.2010 by The LAS Staff]

MUSIC

 » Live: Surfer Blood/The Drums at Lincoln Hall, Chicago, IL - Remember when Weezer used to put together records that you could sing along to and rock out to? That's what Surfer Blood's show was like!
[11.04.2010 by Cory Tendering]

Music Reviews

Screaming Females - Castle Talk
»Screaming Females
Castle Talk
Don Giovanni
Trent Reznor & Atticus Ross - The Social Network [Original Soundtrack]
»Trent Reznor & Atticus Ross
The Social Network [Original Soundtrack]
The Null Corporation
Deerhunter - Halcyon Digest
»Deerhunter
Halcyon Digest
4AD
No Age - Everything in Between
»No Age
Everything in Between
Sub Pop
Robyn - Body Talk Pt. 1/ Body Talk Pt. 2
»Robyn
Body Talk Pt. 1/ Body Talk Pt. 2
Konichiwa
The Walkmen - Lisbon
»The Walkmen
Lisbon
Fat Possum
The Mars Volta
De-Loused In The Comatorium
Universal Records

Rating: NR/10 ?


October 1, 2004
Let the ashes of At The Drive-In rise from the ground and rain down to earth with no remorse. That is most likely what former At The Drive-In hyphenated members Cedric Bixler-Zavala and Omar Rodriguez-Lopez had in mind when they conceived this particular piece of work. With the help of Red Hot Chilli Peppers bassist Flea and the production work of Rick Rubin, this album soars above and beyond the expectations held by so many. While listening to this album, images are conjured up of haunted houses, blood soaked floors, and star-riddled skies. This is a headphone album to the highest extent. Effects pedals galore, voice distortion, tape effects, and great production from Mr. Rubin make this piece of work a stoner's wet dream.

But do not be fooled, the production is not the only reason that De-Loused In The Comatorium sits a-top such a high plateau. Bixler's vocals are better than ever- gone are the days of screaming from the gut (note- this was not necessarily a bad thing). His range is quite impressive considering his past vocal stylings only showed a shadow of what was to come. Next up, the stellar guitar work from Rodriguez is, well, quite amazing. On songs like "Take The Veil Cerpin Taxt", it shows that young Omar's chops are becoming quite striking, and his playing quite literally blows away anything in mainstream music today. Now on to the keyboard playing of Isaiah "Ikey" Owens. Though toned down quite a bit since the Tremulant EP, Isaiah's work is still very much an integral part of the feel of this album. Last but definitely not least, the rythym section is rounded out by Flea and drummer John Theodore. Theodore's playing is extremely tight, wasting no time by throwing in flawless fills and keeping everything together, and Flea is on top of his game on De-Loused In The Comatorium.

Each song on this album is an entire entity in itself. With tons of structure changes, segues, bridges, interludes, and solos, this album never ceases to let the listener start to get bored. It berates your eardrums with such intensity that you will simply never want to turn it off. Let this be known- The Mars Volta are here, they are here to stay, and they want to be heard.

Reviewed by Adam Jaenke
A contributing writer for LAS, Adam Jaenke is from Eau Claire. Isn\'t that also the name of a pastry?

See other reviews by Adam Jaenke

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