» Full Dark, No Stars - Stephen King's new novella questions mankind's ability to trust others.
[02.21.2011 by Bridget Doyle]


 » The Top 30 Albums of 2010 - Fashionably, fabulously late, our favorite music (and believe me, there was a LOT) of 2010, the year that some have called the best year for music ever. And only some of those fools work here. Plenty of usual suspects, lots of ties and a few surprises that I won't spoil, including our unexpected #1.
[12.24.2010 by The LAS Staff]


 » Live: Surfer Blood/The Drums at Lincoln Hall, Chicago, IL - Remember when Weezer used to put together records that you could sing along to and rock out to? That's what Surfer Blood's show was like!
[11.04.2010 by Cory Tendering]

Music Reviews

Screaming Females - Castle Talk
»Screaming Females
Castle Talk
Don Giovanni
Trent Reznor & Atticus Ross - The Social Network [Original Soundtrack]
»Trent Reznor & Atticus Ross
The Social Network [Original Soundtrack]
The Null Corporation
Deerhunter - Halcyon Digest
Halcyon Digest
No Age - Everything in Between
»No Age
Everything in Between
Sub Pop
Robyn - Body Talk Pt. 1/ Body Talk Pt. 2
Body Talk Pt. 1/ Body Talk Pt. 2
The Walkmen - Lisbon
»The Walkmen
Fat Possum
Ring, Cicada
Good Morning, Mr. Good
54 40 or Fight! Records

Rating: NR/10 ?

October 1, 2004
After one too-short, highly acclaimed release, Ring, Cicada made their mark with those who were lucky enough to find them. Here, they work with Steve Albini to force a full-fledged album on the world, reaching (and damaging) every ear in their path. It works well for this post-Don Caballero St. Louis quartet that Mr. Big Black/Shellac himself is at the helm, for they are as deserving of his status as he is of their promise.

Perfectly cacophonic and heavy, they begin with "La Renard", which salts a warbly Jim Morrison-style vocal to powerful post-rock wounds. The track sets the bar high for the remainder of the CD, showing keen interplay and serrated detail fit for the highest praise.

The brawling music continues through the next track, "Esoterrorism," and doesn't let up. Several side winding, aggressive instrumental thrashings ensue in the eleven tracks provided, showing that their prowess for powerful, exhaustive anthemic rock cannot be denied. If their debut was near perfect, this is an improvement just because there's more material to snag you in. Indeed it does. Even in slower tracks like "March," an edgy dread of shadow-play looms and snatches your breath.

I spent the duration of this release feeling like I was being hunted by a very skilled, very swift predator. Inches away from clawing out my throat, the beast stood with false mercy over my chest, drawing ever closer to the inevitable. Prayers of thanksgiving could be whispered for being spared, but it's a near-death experience that brings such a sense of life to this band: in comparison, everything else looks tame. Every track splits fear with brilliance. Without a doubt, Good Morning, Mr. Good will change you.

Much of their obvious intelligence comes from the element of surprise - they don't just use it, they dominate the audience's expectations, forcing us to do their bidding. Impressive rhythms and strength to make HUM weep with jealousy, this is what post-rock is all about: pushing the envelope for what post- actually means. They're so far beyond, they're pushing into frightening new territory. The world is coming to a blistering and satisfying end.

Reviewed by Sarah Peters
A former music editor and staff writer for LAS, Sarah Peters recently disappeared. Perhaps one day she will surface again, who knows.

See other reviews by Sarah Peters



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