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[02.21.2011 by Bridget Doyle]

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 » The Top 30 Albums of 2010 - Fashionably, fabulously late, our favorite music (and believe me, there was a LOT) of 2010, the year that some have called the best year for music ever. And only some of those fools work here. Plenty of usual suspects, lots of ties and a few surprises that I won't spoil, including our unexpected #1.
[12.24.2010 by The LAS Staff]

MUSIC

 » Live: Surfer Blood/The Drums at Lincoln Hall, Chicago, IL - Remember when Weezer used to put together records that you could sing along to and rock out to? That's what Surfer Blood's show was like!
[11.04.2010 by Cory Tendering]

Music Reviews

Screaming Females - Castle Talk
»Screaming Females
Castle Talk
Don Giovanni
Trent Reznor & Atticus Ross - The Social Network [Original Soundtrack]
»Trent Reznor & Atticus Ross
The Social Network [Original Soundtrack]
The Null Corporation
Deerhunter - Halcyon Digest
»Deerhunter
Halcyon Digest
4AD
No Age - Everything in Between
»No Age
Everything in Between
Sub Pop
Robyn - Body Talk Pt. 1/ Body Talk Pt. 2
»Robyn
Body Talk Pt. 1/ Body Talk Pt. 2
Konichiwa
The Walkmen - Lisbon
»The Walkmen
Lisbon
Fat Possum
Seaworthy
Map in Hand
12k

Rating: 8/10 ?


January 11, 2007
The addition of Seaworthy to the 12k family marks something of an evolution for the label. Granted, Seaworthy are very '12k' in their sound, but possess one discerning quality that sets them aside from the most part of the 12k discography: their 'live production'. While minimalism has always been the key for 12k, such luminaries as Sogar, Taylor Deupree and Sebastien Roux have always tended to reside at the computer-generated end of the spectrum, whereby instruments are employed but digitally manipulated to create sparse, textured tones easy on the ear yet difficult to make sense of. Seaworthy, on the other hand, reign in a live ambience, and indeed it plays a significant role in their appeal.

Seaworthy - a three-piece from Sydney, Australia - construct their light drones from guitar swells, feedback, and the accidental hums and flickers of noise part and parcel of the recording process. This is very simple music, and the transparent production makes it easy to absorb and pick apart. Instead of cluttering the pieces up with unessential sounds that would detract from the meaning of each song, Seaworthy allow their gentle purrs to resonate freely and drift as and when the wind takes them. They utilize the studio room tones, which serve as a reminder that Seaworthy are an interacting band, bouncing ideas off of one another and capturing the best bits.

The tracks are named "Map in Hand Pt. 1", et cetera, and the album is book-ended with "Dusk, 30th September 2005" and "Dawn, 2nd October 2005", with a couple of prologues and epilogues thrown in to make things interesting. Part one and its prologue set the scene for Map in Hand - warm, inviting drones, twisting randomly and curiously. In contrast, parts two and four are more straightforward guitar tracks, with the instruments played more conventionally, but without upsetting the disc's placid radiance.

Despite Map in Hand's temperate suitability, Seaworthy seem to stand out. Electronica it certainly isn't. Post-rock? Perhaps. They seem to have everything in common with 12k, yet everything about them makes them distinctive from everything the label has put out, which makes the release of Map in Hand a progressive prospect for both label and band. For blurred, fuzzy, calming tones, look no further than Seaworthy.

Reviewed by Mike Wright
A staff writer based in London, England, Mike Wright is eternally troubled by the American bastardization of the English language.

See other reviews by Mike Wright

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