» Full Dark, No Stars - Stephen King's new novella questions mankind's ability to trust others.
[02.21.2011 by Bridget Doyle]


 » The Top 30 Albums of 2010 - Fashionably, fabulously late, our favorite music (and believe me, there was a LOT) of 2010, the year that some have called the best year for music ever. And only some of those fools work here. Plenty of usual suspects, lots of ties and a few surprises that I won't spoil, including our unexpected #1.
[12.24.2010 by The LAS Staff]


 » Live: Surfer Blood/The Drums at Lincoln Hall, Chicago, IL - Remember when Weezer used to put together records that you could sing along to and rock out to? That's what Surfer Blood's show was like!
[11.04.2010 by Cory Tendering]

Music Reviews

Screaming Females - Castle Talk
»Screaming Females
Castle Talk
Don Giovanni
Trent Reznor & Atticus Ross - The Social Network [Original Soundtrack]
»Trent Reznor & Atticus Ross
The Social Network [Original Soundtrack]
The Null Corporation
Deerhunter - Halcyon Digest
Halcyon Digest
No Age - Everything in Between
»No Age
Everything in Between
Sub Pop
Robyn - Body Talk Pt. 1/ Body Talk Pt. 2
Body Talk Pt. 1/ Body Talk Pt. 2
The Walkmen - Lisbon
»The Walkmen
Fat Possum
Safety Scissors
Tainted Lunch
~Scape Music

Rating: 7.5/10 ?

September 29, 2005
My immediate response to Tainted Lunch took the form of a question, albeit rhetorical: has Matthew Curry's production work as Safety Scissors grown up, or indeed grown down?

Confused? I was too. The album's relativity to 2001's Parts Water earns itself status as something of a conundrum. While Parts Water was an accomplished debut to say the very least, it seemed to emanate an air of romanticism that has, ultimately, been ditched with the arrival of Tainted Lunch. Notably, Curry's production remains as crisp as ever, but his approach to song writing, rather than production, has become erratic and somewhat unrefined; it perpetually circles that which is considered musically acceptable in terms of IDM, glitch and pop (in-)sensibility.

But perhaps the most confusing side to Tainted Lunch is its infectiousness: its catchiness is sometimes disconcerting - such is the nature of Curry's twisted programming and brash subject matters ('cheese'-status, or flies in soup, anyone?) - yet it is perplexing and strangely compelling.

Tainted Lunch makes sense when in full flow, and may demand more than a few listens before the pert charm that modestly resides in "Sunlight on the Other Side" and "Amnesia I Need You to Remind Me" suitably presents itself. What's more, while other producers of Curry's ilk may be content with instrumentalism, Tainted Lunch showcases a prominence of vocals that, despite being far from outstanding, are decent and never superfluous.

As Tainted Lunch approaches its completion, with "Here Come the Housewives" and "Where is Germany and How Do I Get There," it is clear that Safety Scissors' colourful personality outweighs any unwarranted kitsch. During its peaks, it is lively, accessible, and would surely work wonders for the dance-floor of any DJ, and at its trough, "Fly in My Soup," it can be utterly unstomachable, enough to put anyone of their lunch. With more ups than downs, Curry has still proven himself an artist to watch.

Reviewed by Mike Wright
A staff writer based in London, England, Mike Wright is eternally troubled by the American bastardization of the English language.

See other reviews by Mike Wright



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