» Full Dark, No Stars - Stephen King's new novella questions mankind's ability to trust others.
[02.21.2011 by Bridget Doyle]


 » The Top 30 Albums of 2010 - Fashionably, fabulously late, our favorite music (and believe me, there was a LOT) of 2010, the year that some have called the best year for music ever. And only some of those fools work here. Plenty of usual suspects, lots of ties and a few surprises that I won't spoil, including our unexpected #1.
[12.24.2010 by The LAS Staff]


 » Live: Surfer Blood/The Drums at Lincoln Hall, Chicago, IL - Remember when Weezer used to put together records that you could sing along to and rock out to? That's what Surfer Blood's show was like!
[11.04.2010 by Cory Tendering]

Music Reviews

Screaming Females - Castle Talk
»Screaming Females
Castle Talk
Don Giovanni
Trent Reznor & Atticus Ross - The Social Network [Original Soundtrack]
»Trent Reznor & Atticus Ross
The Social Network [Original Soundtrack]
The Null Corporation
Deerhunter - Halcyon Digest
Halcyon Digest
No Age - Everything in Between
»No Age
Everything in Between
Sub Pop
Robyn - Body Talk Pt. 1/ Body Talk Pt. 2
Body Talk Pt. 1/ Body Talk Pt. 2
The Walkmen - Lisbon
»The Walkmen
Fat Possum
Hypatia Lake
...And We Shall Call Him Joseph
Sad Robot

Rating: 6.5/10 ?

April 12, 2006
Before popping in Hypatia Lake's ...And We Shall Call Him Joseph, be certain you're in the mood to absorb some music. Dense cacophonies of sound pair with a near-indiscernible late 90s alt-rock bent; Joseph haunts and destroys, more concerned with crushing instrumentation than catchy hooks.

I feel as though I should type the words PINK FLOYD and CONCEPT ALBUM in big, bold letters just to draw attention to the two factions most prominent in the band's identity. Lest I sound bitter, Joseph is better than that pale description would normally suggest. It is an album for active listening, for taking in. While a quiet eye of the storm passes through the disc's center ("The Paradigm of the Introvert" and "During Dinner at the Imitation Canals...") with disconcerting stillness, the rest of the album is deconstructionist, vaguely shoegazer rock consumed with din and mission.

While it's not an album you'll likely pop in as often as the lighter or more accessible fare (M83, Black Heart Procession, Mercury Rev), it's commendable and hits all its predefined marks. Joseph is a valiant effort in expansive storytelling from a relatively unknown source. Its concept - intent on destroying a candy factory deemed the root of a town's evil - is driving but never in the way.

Cryptic, experimental and melodic on its own terms, ...And We Shall Call Him Joseph shows Hypatia Lake's creativity, but also feels like a pencil sketch in light of season veterans' studied inks. The canvas is sprawling, but the work is unfinished. While the band is obviously passionate, the album seems, at times, to struggle in conveying this feeling with a singular voice. Listening on headphones establishes greater connection and purpose, but Hypatia Lake still has a small way to go toward transcendence and due notoriety. Given their progress and ambition, it shouldn't be long.

Reviewed by Sarah Peters
A former music editor and staff writer for LAS, Sarah Peters recently disappeared. Perhaps one day she will surface again, who knows.

See other reviews by Sarah Peters



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