» Full Dark, No Stars - Stephen King's new novella questions mankind's ability to trust others.
[02.21.2011 by Bridget Doyle]


 » The Top 30 Albums of 2010 - Fashionably, fabulously late, our favorite music (and believe me, there was a LOT) of 2010, the year that some have called the best year for music ever. And only some of those fools work here. Plenty of usual suspects, lots of ties and a few surprises that I won't spoil, including our unexpected #1.
[12.24.2010 by The LAS Staff]


 » Live: Surfer Blood/The Drums at Lincoln Hall, Chicago, IL - Remember when Weezer used to put together records that you could sing along to and rock out to? That's what Surfer Blood's show was like!
[11.04.2010 by Cory Tendering]

Music Reviews

Screaming Females - Castle Talk
»Screaming Females
Castle Talk
Don Giovanni
Trent Reznor & Atticus Ross - The Social Network [Original Soundtrack]
»Trent Reznor & Atticus Ross
The Social Network [Original Soundtrack]
The Null Corporation
Deerhunter - Halcyon Digest
Halcyon Digest
No Age - Everything in Between
»No Age
Everything in Between
Sub Pop
Robyn - Body Talk Pt. 1/ Body Talk Pt. 2
Body Talk Pt. 1/ Body Talk Pt. 2
The Walkmen - Lisbon
»The Walkmen
Fat Possum
Mick Turner
Drag City Records

Rating: NR/10 ?

October 1, 2004
"Sleep, sleep, my precious thing". If guitars were articulating thoughts in words instead of sounds, those might be the formations that would tinkle out from the fingertips of Mick Turner when he sits back with his guitar in an empty studio, anywhere around the world, in a quiet moment. Those could be the words, and all this music could be the last 3 seconds of thought preceding a calmed dream of tranquility had by the listener looking up at an old window through motes of dust, with the curtains trembling in fading light.

Known mostly for his work with the Dirty 3, Turner has been turning out solo releases since the late 90's, in fact Moth is his third, and it continues in the ambient, droningly minimalist tradition that his work is steeped in. Pianos and harmoniums accompany Turner's guitar on this album, and although some of the songs drop off or cut out before some of the melodies have progressed far from the original starting point, the addition of these tones helps in the build-up of a slow, insistant and tense droning that recalls his work on Moon Pix (minus the vocals of course).

Reviewed by James Hoey
A long-time contributing writer for LAS, Jim lives in North Carolina and drives an early 70s model mustard yellow Chevrolet Blazer.

See other reviews by James Hoey



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