» Full Dark, No Stars - Stephen King's new novella questions mankind's ability to trust others.
[02.21.2011 by Bridget Doyle]


 » The Top 30 Albums of 2010 - Fashionably, fabulously late, our favorite music (and believe me, there was a LOT) of 2010, the year that some have called the best year for music ever. And only some of those fools work here. Plenty of usual suspects, lots of ties and a few surprises that I won't spoil, including our unexpected #1.
[12.24.2010 by The LAS Staff]


 » Live: Surfer Blood/The Drums at Lincoln Hall, Chicago, IL - Remember when Weezer used to put together records that you could sing along to and rock out to? That's what Surfer Blood's show was like!
[11.04.2010 by Cory Tendering]

Music Reviews

Screaming Females - Castle Talk
»Screaming Females
Castle Talk
Don Giovanni
Trent Reznor & Atticus Ross - The Social Network [Original Soundtrack]
»Trent Reznor & Atticus Ross
The Social Network [Original Soundtrack]
The Null Corporation
Deerhunter - Halcyon Digest
Halcyon Digest
No Age - Everything in Between
»No Age
Everything in Between
Sub Pop
Robyn - Body Talk Pt. 1/ Body Talk Pt. 2
Body Talk Pt. 1/ Body Talk Pt. 2
The Walkmen - Lisbon
»The Walkmen
Fat Possum
Red Is the New Black & Blue
Mintaka Conspiracy Records

Rating: NR/10 ?

October 1, 2004
On their most recent album, a nine song thriller that rarely breaks from its aggressive hustle, Mishima give a quick enforcement to Canadian label Mintaka Consipiracy, who have already served as incubator for the development of a powerful and like-mindedly smart Firebird Band. There is that smartness of a posh, British tinged post punk attitude, combined with a few unabashed Morrisey-isms to creates a bit of extravaganza for the foursome to use as a springboard to to a full sound that is as catchy as it is compelling. Songs like "Camouflage" are laced with flashy strands of Rory's guitar and Nick Robinson's keyboards. It is readily apparent, both in conversation and on the stereo that the quartet may be young but they are certainly not uninformed on the basics of rock and roll. They've come from a background that gives them their grittiness - students and artists, familiar with a basic pureness of punk, tainted with a love of everything from hardcore to new wave. Their aesthetic and lyrics may leave them to appear a bit debonair at times but there is no bullshit when it comes down to the buoyancy of the basslines or the unrelenting cracking of Svatek's drum sticks. There is undeniable energy, there is undeniable urgency in what they are doing. You see, Mishima may sound like they are merely reflecting classic forms of glorious rock and roll rebellion, but they are actually giving it a fresh face, filtering it through their post-rock prism.

Reviewed by Eric J Herboth
Eric J. Herboth is the founder, publisher and Managing Editor of LAS magazine. He is a magazine editor, freelance writer, bike mechanic, commercial pilot, graphic designer, International Scout enthusiast and giver of the benefit of the doubt. He currently lives in rural central Germany with his two best friends, dog Awahni and cat Scout.

See other reviews by Eric J Herboth



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