» Full Dark, No Stars - Stephen King's new novella questions mankind's ability to trust others.
[02.21.2011 by Bridget Doyle]


 » The Top 30 Albums of 2010 - Fashionably, fabulously late, our favorite music (and believe me, there was a LOT) of 2010, the year that some have called the best year for music ever. And only some of those fools work here. Plenty of usual suspects, lots of ties and a few surprises that I won't spoil, including our unexpected #1.
[12.24.2010 by The LAS Staff]


 » Live: Surfer Blood/The Drums at Lincoln Hall, Chicago, IL - Remember when Weezer used to put together records that you could sing along to and rock out to? That's what Surfer Blood's show was like!
[11.04.2010 by Cory Tendering]

Music Reviews

Screaming Females - Castle Talk
»Screaming Females
Castle Talk
Don Giovanni
Trent Reznor & Atticus Ross - The Social Network [Original Soundtrack]
»Trent Reznor & Atticus Ross
The Social Network [Original Soundtrack]
The Null Corporation
Deerhunter - Halcyon Digest
Halcyon Digest
No Age - Everything in Between
»No Age
Everything in Between
Sub Pop
Robyn - Body Talk Pt. 1/ Body Talk Pt. 2
Body Talk Pt. 1/ Body Talk Pt. 2
The Walkmen - Lisbon
»The Walkmen
Fat Possum
He Teeny She

Rating: 7/10 ?

March 11, 2005
Joe Abernethy has a hell of a voice, and he's clearly aware of this fact; he smothers his understated, wiry acoustic guitars with coat upon coat of his singing. He multi-tracks himself to belt out ghostly harmonies, utter wispy "ooo"'s, and just plan pump up the volume.

As a result, his pop songs come laced with an intriguing subplot: Do we really need true community if technology allows us to create communities of self? The loneliness oozing from the legion of Abernethys suggests that solitude will always ultimately prove insufficient, but it's far from a definitive answer.

On the other hand, all of this layering can become a bit too much to stomach by the record's midpoint. Abernethy's chamber of lost souls aesthetic towers over his melodic sensibility (which is saying a great deal, because the man has quite the knack for solemn-yet-hummable verses) and the other instrumentation. When five Abernethys croon lines like "I ache for beauty", the Sad Bastard Quotient spikes to levels that even Codeine reached, and it wears one out rather quickly.

With a little reigning in of his Cave/Cohen pipes, Abernethy will probably be able to craft lilting, morose guitar pop on par with Grandaddy or Summer at Shatter Creek, but He Teeny She only hints at this day. What begins as an enveloping journey into the various halls of one man's consciousness eventually grows claustrophobic; at least the enveloping portion is compelling enough to invite repeat listens.

Reviewed by Phillip Buchan
A one-time music director at WUOG in Athens, Phillip is into college radio, literature, writing, buying records, going to shows, talking to friends, learning -- pretty much the same stuff that all of us priveledged, (pseudo?)intellectual Americans are into.

See other reviews by Phillip Buchan



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