» Full Dark, No Stars - Stephen King's new novella questions mankind's ability to trust others.
[02.21.2011 by Bridget Doyle]


 » The Top 30 Albums of 2010 - Fashionably, fabulously late, our favorite music (and believe me, there was a LOT) of 2010, the year that some have called the best year for music ever. And only some of those fools work here. Plenty of usual suspects, lots of ties and a few surprises that I won't spoil, including our unexpected #1.
[12.24.2010 by The LAS Staff]


 » Live: Surfer Blood/The Drums at Lincoln Hall, Chicago, IL - Remember when Weezer used to put together records that you could sing along to and rock out to? That's what Surfer Blood's show was like!
[11.04.2010 by Cory Tendering]

Music Reviews

Screaming Females - Castle Talk
»Screaming Females
Castle Talk
Don Giovanni
Trent Reznor & Atticus Ross - The Social Network [Original Soundtrack]
»Trent Reznor & Atticus Ross
The Social Network [Original Soundtrack]
The Null Corporation
Deerhunter - Halcyon Digest
Halcyon Digest
No Age - Everything in Between
»No Age
Everything in Between
Sub Pop
Robyn - Body Talk Pt. 1/ Body Talk Pt. 2
Body Talk Pt. 1/ Body Talk Pt. 2
The Walkmen - Lisbon
»The Walkmen
Fat Possum
Maya Shore
Farewell to Introductions
The Music Fellowship

Rating: NR/10 ?

October 1, 2004
The last song on Farewell to Introductions, the new album by Maya Shore, called "Daytime TV," features the ironic line "Don't feel like sleeping, so someone pass the caffeine." Apparently, though, whoever singer Kelly Chambers was talking to totally left him hanging, as the songs produced by the emo-ish quartet could make even the world's worst insomniac take a nap.

It seems that somebody laced Maya Shore's indie rock bong with a shit load of emo, and at times, the band emerges from the smoke sounding like a bad version of Mineral (or any of their 8 million off-shoots). To their credit, though, when the band locks in on a certain drone or meanders along interesting guitar patterns, the blandness tends to drift away, and things start making sense.

Much of this happens when Chambers steps away from the mic and lets the music do the talking. The vocals, sung in a sort of nasally and off key manor, not unlike that of Mike Kinsella, really take away from some of the well placed cello and keyboard contributions that filter throughout the album.

As stated, the band scores highly in their more instrumental moments, especially on the voiceless "July Eleventh Nineteen Ninety-Seven," as the band wanders into dreamier Modest Mouse-esque territory. Other songs, such as "Five Minutes" bring to mind a less melodic Karate, Seam, Sunny Day Real Estate, or even Mogwai, but with less intensity.

Problematically, the Maya Shore never really wakes up to the idea that change is good. They all to often rely on repetitive tempos and pseudo-poetic confessions to carry them to the shoegazeing promised land, but instead wind up passed out on the floor from boredom. By albums end, Maya Shore will have you screaming "Somebody get these guys a Code Red!"

Reviewed by Ryan Allen
A former staff writer with fabulous hair, Ryan Allen once fronted Red Shirt Brigade with his brother, Scott. He currently fronts the art/fashion punk band Thunderbirds Are Now!, with is brother, Scott.

See other reviews by Ryan Allen



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